BOOKLIST: Murakami writes two kinds of novels: short, intimate, crystalline portraits of lovers, often trapped in alternate worlds or struggling between secret selves that submerge the reader in a tidal wave of story. When Murakami melds fantasy and realism, mystery and epic, it is no simple genre-bending exercise; rather, it is literary alchemy of the highest order. This foray into what is unquestionably Murakami's most vividly imagined parallel world begins simply, with two seemingly ordinary events: two lonely 10-year-olds, a boy and a girl, Tengo and Aomame, hold hands in an empty classroom, and for the next 20 years, while never seeing one another, they dream of meeting but are strangely paralyzed to make it happen.
Then Aomame, a 30-year-old woman in 1984 and an assassin who kills men who abuse women walks down an emergency exit from a Tokyo expressway and finds herself in another world, which she calls 1Q84, a world overseen by two moons and ruled, apparently, by the quixotic little people.
Meanwhile, Tengo has rewritten a novel by an enigmatic 17-year-old girl that accurately describes the world of 1Q84. As the lives of Tengo, Aomame, and a Dostoyevskian private investigator, who works for a religious cult that worships the little people, swirl closer and closer together, Murakami draws the reader deeper and deeper into this utterly baffling universe, switching narration between the three principal characters, each of whom grasps only a small part of their two-mooned world. Gradually but inexorably, the tension builds, as we root passionately for Tengo and Aomame to find one another and hold hands again, so simple a human connection offering a kind of oasis in the midst of the unexplainable and the terrifying.
Subject:
Love story.
Mystery -- Fiction.
Fantasy -- Fiction.
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